Showing posts with label Best films. Show all posts
Showing posts with label Best films. Show all posts

Wednesday, 12 December 2018

Interlude



“I'm afraid of people who claim their experience of themselves & the world isn't fractured & fragmentary, when it clearly is; but I'm even more afraid of people who genuinely don't experience things that way.” M John Harrison

   April to November was lost to depression, an accompanying anxiety and some middling (for me) self-destructive behaviours. I call it depression but more accurately it has been about grief and despair. It felt like all my usual safety valves were missing and I was unable to look away. Some of this was about myself – approaching middle age and unable to imagine a way forward, a way to live and thrive - and some to do with my family – I’ll let you off that part.

   But the personal stuff is intimately connected to the much larger grief of the social and political – homeless people everywhere, refugees treated like criminals, the people of Syria and Yemen left to die, the hourly violence directed at people of colour and women, the daily inequality and injustice, the rise of the right and of fascism, the extraordinary stupidity and venality of politicians and of course, more than anything, the accelerating environmental crisis. I have been unable to shut it out. Often the horror of a present and a future I can clearly see has eclipsed any sense of daily pleasure, wonder or satisfaction.

   I suspect I am not alone in this.

   I have largely been unable to read – the readers amongst you will know how painful that is. Fiction has felt pointless. I hate that I’ve felt that way. Movies, a constant source of emotional stability, sustenance and inspiration since I was young, have felt pointless too, though I have, almost on muscle memory, still managed to visit the cinema occasionally.

  The current mini project of posting images on Facebook – I’ve posted an image a day for 10 days of movies that had an impact on me aged 6 to 11 – has thus been a small way to reengage with myself and with memory and what is important. A bit of therapy perhaps. Though I need to go back to the £60 a week variety!

The movies I choose, in the order I saw them, were:
·         Watership Down (1978)
·         West Side Story (1961)
·         North by Northwest (1959)
·         Singing in the Rain (1952)
·         Close Encounters of the Third Kind (1977)
·         The Magnificent Seven (1960)
·         Planet of the Apes (1968)
·         Some Like it Hot (1959)
·         Elmer Gantry (1960)
·         All the Presidents Men (1976)

   Already you start to see the main influences. Westerns, musicals and SF were part of the family geography that remain lifelong loves – little islands of stability and meaning in a household that was becoming increasingly dysfunctional (or maybe I was just becoming more aware of the disfunction). More than that I was already watching lots of films by myself – hundreds of westerns certainly, but also Hollywood films of all kinds from the 40s, 50s and 60s that were a constant on the nation’s 3 channels back then and increasingly the political cinema of the 70s. My love of movie stars, of glamour and beauty, of romance, of melancholy, of screen violence are all there too. All have remained, and for a socialist and critical thinker, it is hard to admit that some of those superficial elements are still central to my dreams and desires. I am still beguiled by beautiful charismatic men and women. If they can sing and dance too…

   My memory is terrible but I can remember the feeling of watching all those films for the first time – the wonder and the weirdness, the joy and excitement and, more than anything, a huge and complicated world being revealed to me. The yearning to connect and to escape my loneliness is ever present but on most days of my 47 years if you’d offered me the choice of a good film or the chance to go out and meet people there would have only been one answer.

   There are 5 films that didn’t make it though they were probably just as influential:
·         Star Wars – obviously perhaps. Growing up in the late 70s the new blockbusters would have a huge impact on many of us.
·         Superman 1 and 2 – Christopher Reeve and Margot Kidder!!! Duh!?
·         True Grit – I watched all the John Wayne films again and again. This is still a brilliant, beautiful film. And it has Glen Campbell!
·         The Jazz Singer – what can I say? Neil Diamond was big in our house.
·         Grease - a rare trip to the cinema with the women of my family: my mum, sister, auntie and cousin.

Pink Ladies Grease Quotes. QuotesGram

I’m going to continue with the project and hope that I can start writing a little. I have started lists for my teen years and for my adult years. Already I don’t how I can cut numbers down and how I will avoid editorializing. What have I forgotten? What don’t I want to admit? What has changed? How can I place things in order when my memory is so hazy? How do I separate out the moments that formed me from the ones that didn’t? How does one avoid it becoming an exercise in nostalgia? Luckily, more than ever I don’t care what people might think. Woody Allen, Sam Peckinpah, Clint Eastwood and various other divisive figures will all feature. Better the truth – as near as I can get to it – than a definite lie.

For anyone out there going through a difficult time I hope you get through it. I’m 6 weeks without hitting self-destruct and 2 weeks back at the gym. Baby steps. And just about able to engage with some of the things I love. People? They are still a way off.

Tuesday, 3 January 2017

Best films of 2016


I haven't kept a record but it's the first year I can remember when I might have seen less than a 100 films. I'm not sure. I've seen about 45 of the Guardian's Top 50, plus most of the blockbusters, etc. However I've hardly watched any old favourites and nor have I discovered any old greats. Worse perhaps, I haven't had the time to rewatch most of the films I mention below so I'm trusting to instinct and experience much more than usual.

Thus this year I've done a Top 10 with an additional highly recommended extra 6. 

These are the films I can't let go of: images, ideas, performances that seem imprinted on my mind.

The Assassin (Hsiao-Hsien Hou)
Son of Saul (László Nemes)
The Witch (Robert Eggers)
American Honey (Andrea Arnold)
Hunt for the Wilderpeople (Tamika Waititi)
13th (Ava DuVernay)
Our little Sister (Hirokazu Koreeda)
Under the Shadow (Babak Anvari)
Mustang (Deniz Gamze Ergüven)
Divines (Houda Benyamina)

I'm happy to say it's all about the women. 4 female directors; brilliant performances by young actresses - Anya Taylor-Joy in The Witch, Sasha Lane in American Honey and almost all the young women and girls in Mustang, Our Little Sister and Divines; plus fascinating, mature and enigmatic roles for Qi Shu in The Assassin and Narges Rashidi in Under the Shadow.  

The Assassin is perhaps the hardest sell: intellectualism meets sublime aestheticism; puzzling and oblique; painterly. In 2017 I'm gonna search out all Hou Hsiao Hsien's films. I love it.




Son of Saul had the same kind of impact that Come and See had on me. It is a great, great, movie and I commend it to everyone. Watching it for the first time was also the moment I decided that I wasn't going to look away ever again - on climate change, Syria, refugees, the growth of nationalism and fascism - and that I would try to face the realities of our world head on. A bit melodramatic perhaps, but that's me.

I didn't see Ava Duvernay's 13th until the Christmas holiday but it feels like it's the film we should be showing and sharing everywhere. It's about the history of racism and inequality in the USA and you couldn't hope to see a more relevant film. What a shame it didn't get a cinema distribution - sort it out Netflix.

The Witch and Under the Shadow are feminist horror films. They are perfectly formed things of small wonder: disturbing, beguiling, political and creepy in all the right ways.

Hunt for the Wilderpeople was the most joyous movie experience of 2016. Like Our Little Sister and Mustang it is about friendship and solidarity. Divines is almost a companion piece to last year's Girlhood only with shades of Scorsese and De Palma: I was wowed by its ambition and energy.




And then there is Andrea Arnold's American Honey, a film that manages to be painful, discursive, hypnotic, melancholy and exuberant all at the same time.

And another 6....

Embrace of the Serpent (Ciro Guerra)
Fire at Sea (Gianfranco Rosi)
Things to Come (Mia Hansen Løve)
Arabian Nights (1-3) (Miguel Gomes)
Tale of Tales (Matteo Garrone)
Notes on Blindness (Pete Middleton)

These, like The Assassin, might be too slow or abstruse for some tastes. But they deserve an audience for their politics, daring and subtlety. Mia Hansen Löve's Things to Come, which I really wanted to squeeze into my Top 10, will be far too bourgeois for some but you'd be wrong. She just gets better and better and Isabelle Huppert's performance is so good you'll just want to watch the movie again immediately.

Best moment

Moana should probably be in that Top 16 but without doubt the best part of any film this year was the Mad Max/Kakamora sequence. Genius.




And so....Family films

It's been the best year for children's films and family films that I can remember: Moana, Kubo and the Two Strings, Queen of Katwe, Zootropolis, Hunt for the Wilderpeople and the lovely Sing Street. The best popular films? I enjoyed Fantastic Beasts and I quite enjoyed Star Trek Beyond. I wasted my money on all the big films - I don't seem to be able to help myself - but I can't remember anything remotely memorable. And that includes Doctor Strange. 

US Indie gems

Paterson, Little Men, The Witch, American Honey, Hell or High Water and Charlie Kaufman's Anomalisa. The latter is The Guardian's film of the year and it's certainly a singular achievement. The animation and various formal and structural features make it really interesting. Ultimately though it's not a film I'm looking forward to watching again. Even David Thewlis and Jennifer Jason Leigh, as amazing as they are, can't imbue the main characters with enough humanity for me. Thewlis' character is so vile and Leigh' so timid that I found it hard to find any sympathy with anything the film was trying to do.

Disappointments 

Widely praised, I found Love and Friendship, Nocturnal Animals and Hail Caesar empty with extra wide open pockets of emptiness. I could see the artistry at certain points, and the humour, but I have no desire to watch any of them again.

The elephant in the room

I liked the gloomier second half of I, Daniel Blake a lot but overall...some of the acting was terrible and I hated how all the working class folks are seemingly immune to racism, sexism and unkindness. This is NOT the UK in 2016. As a socialist I do, of course, recommend it anyway - it's an excellent piece of socialist propaganda that tells truths about the UK that many people won't know about. It has a big heart that yearns for us all to empathise and unite. Moreover it infuriated Tories and the mainstream press - always a fantastic achievement. But is it a great film? Nah.

SF

I enjoyed Rogue One and Arrival quite a lot but my suspicion is that both will prove to be fairly forgettable on second viewing. Hopefully not. The Girl with all the Gifts and High Rise were minor gems however.

Oscar bait

I always find it difficult to put the big Oscar contenders into my best of year lists. January seems SO long ago, plus all these films benefited from huge amounts of publicity. Yet Spotlight, Room, The Hateful Eight and The Revenant were a good crop. Do watch.

Foreign movies

Distributors are finding it more difficult to sell foreign films so it felt even more difficult than ever to see the variety I normally cherish at the cinema.  Except for Mustang, A Bigger Splash and Julieta I saw these on the small screen: Things to Come, Tale of Tales, Dheepan, Arabian Nights (1-3), Our Little Sister, Victoria, The Club, Cemetery of Splendour.

Bollywood

Not a bad year though, determined not to buy so many DVDs, I've not seen that many.  My favourites however were Dangal, Ae Dil Hai Mushkil, Kapoor and Sons and Dear Zindagi. Hopefully I'll catch up in the next month and put up a separate post.

Guilty pleasures

I may as well own up: Sorrentino's Youth, Fuqua's The Magnificent Seven and then (not so guiltily) Ryan Coogler's Creed and Jennifer Lawrence in Joy. No excuses - I am a BAD human being.

To see

Couple in a Hole, The Neon Demon, The Childhood of a Leader, My Feral Heart, The Survivalist,  

Desperate to see

Your Name, The Wailing, Train to Busan.