I haven't kept a record but it's the first year I can remember when I might have seen less than a 100 films. I'm not sure. I've seen about 45 of the Guardian's Top 50, plus most of the blockbusters, etc. However I've hardly watched any old favourites and nor have I discovered any old greats. Worse perhaps, I haven't had the time to rewatch most of the films I mention below so I'm trusting to instinct and experience much more than usual.
Thus this year I've done a Top 10 with an additional highly recommended extra 6.
These are the films I can't let go of: images, ideas, performances that seem imprinted on my mind.
The Assassin (Hsiao-Hsien Hou)
Son of Saul (László Nemes)
The Witch (Robert Eggers)
American Honey (Andrea Arnold)
Hunt for the Wilderpeople (Tamika Waititi)
13th (Ava DuVernay)
Our little Sister (Hirokazu Koreeda)
Under the Shadow (Babak Anvari)
Mustang (Deniz Gamze Ergüven)
Divines (Houda Benyamina)
I'm happy to say it's all about the women. 4 female directors; brilliant performances by young actresses - Anya Taylor-Joy in The Witch, Sasha Lane in American Honey and almost all the young women and girls in Mustang, Our Little Sister and Divines; plus fascinating, mature and enigmatic roles for Qi Shu in The Assassin and Narges Rashidi in Under the Shadow.
The Assassin is perhaps the hardest sell: intellectualism meets sublime aestheticism; puzzling and oblique; painterly. In 2017 I'm gonna search out all Hou Hsiao Hsien's films. I love it.
Son of Saul had the same kind of impact that Come and See had on me. It is a great, great, movie and I commend it to everyone. Watching it for the first time was also the moment I decided that I wasn't going to look away ever again - on climate change, Syria, refugees, the growth of nationalism and fascism - and that I would try to face the realities of our world head on. A bit melodramatic perhaps, but that's me.
I didn't see Ava Duvernay's 13th until the Christmas holiday but it feels like it's the film we should be showing and sharing everywhere. It's about the history of racism and inequality in the USA and you couldn't hope to see a more relevant film. What a shame it didn't get a cinema distribution - sort it out Netflix.
The Witch and Under the Shadow are feminist horror films. They are perfectly formed things of small wonder: disturbing, beguiling, political and creepy in all the right ways.
Hunt for the Wilderpeople was the most joyous movie experience of 2016. Like Our Little Sister and Mustang it is about friendship and solidarity. Divines is almost a companion piece to last year's Girlhood only with shades of Scorsese and De Palma: I was wowed by its ambition and energy.
And then there is Andrea Arnold's American Honey, a film that manages to be painful, discursive, hypnotic, melancholy and exuberant all at the same time.
And another 6....
Embrace of the Serpent (Ciro Guerra)
Fire at Sea (Gianfranco Rosi)
Things to Come (Mia Hansen Løve)
Arabian Nights (1-3) (Miguel Gomes)
Tale of Tales (Matteo Garrone)
Notes on Blindness (Pete Middleton)
These, like The Assassin, might be too slow or abstruse for some tastes. But they deserve an audience for their politics, daring and subtlety. Mia Hansen Löve's Things to Come, which I really wanted to squeeze into my Top 10, will be far too bourgeois for some but you'd be wrong. She just gets better and better and Isabelle Huppert's performance is so good you'll just want to watch the movie again immediately.
Moana should probably be in that Top 16 but without doubt the best part of any film this year was the Mad Max/Kakamora sequence. Genius.
And so....Family films
It's been the best year for children's films and family films that I can remember: Moana, Kubo and the Two Strings, Queen of Katwe, Zootropolis, Hunt for the Wilderpeople and the lovely Sing Street. The best popular films? I enjoyed Fantastic Beasts and I quite enjoyed Star Trek Beyond. I wasted my money on all the big films - I don't seem to be able to help myself - but I can't remember anything remotely memorable. And that includes Doctor Strange.
US Indie gems
Paterson, Little Men, The Witch, American Honey, Hell or High Water and Charlie Kaufman's Anomalisa. The latter is The Guardian's film of the year and it's certainly a singular achievement. The animation and various formal and structural features make it really interesting. Ultimately though it's not a film I'm looking forward to watching again. Even David Thewlis and Jennifer Jason Leigh, as amazing as they are, can't imbue the main characters with enough humanity for me. Thewlis' character is so vile and Leigh' so timid that I found it hard to find any sympathy with anything the film was trying to do.
Widely praised, I found Love and Friendship, Nocturnal Animals and Hail Caesar empty with extra wide open pockets of emptiness. I could see the artistry at certain points, and the humour, but I have no desire to watch any of them again.
The elephant in the room
I liked the gloomier second half of I, Daniel Blake a lot but overall...some of the acting was terrible and I hated how all the working class folks are seemingly immune to racism, sexism and unkindness. This is NOT the UK in 2016. As a socialist I do, of course, recommend it anyway - it's an excellent piece of socialist propaganda that tells truths about the UK that many people won't know about. It has a big heart that yearns for us all to empathise and unite. Moreover it infuriated Tories and the mainstream press - always a fantastic achievement. But is it a great film? Nah.
I enjoyed Rogue One and Arrival quite a lot but my suspicion is that both will prove to be fairly forgettable on second viewing. Hopefully not. The Girl with all the Gifts and High Rise were minor gems however.
I always find it difficult to put the big Oscar contenders into my best of year lists. January seems SO long ago, plus all these films benefited from huge amounts of publicity. Yet Spotlight, Room, The Hateful Eight and The Revenant were a good crop. Do watch.
Distributors are finding it more difficult to sell foreign films so it felt even more difficult than ever to see the variety I normally cherish at the cinema. Except for Mustang, A Bigger Splash and Julieta I saw these on the small screen: Things to Come, Tale of Tales, Dheepan, Arabian Nights (1-3), Our Little Sister, Victoria, The Club, Cemetery of Splendour.
Not a bad year though, determined not to buy so many DVDs, I've not seen that many. My favourites however were Dangal, Ae Dil Hai Mushkil, Kapoor and Sons and Dear Zindagi. Hopefully I'll catch up in the next month and put up a separate post.
I may as well own up: Sorrentino's Youth, Fuqua's The Magnificent Seven and then (not so guiltily) Ryan Coogler's Creed and Jennifer Lawrence in Joy. No excuses - I am a BAD human being.
Couple in a Hole, The Neon Demon, The Childhood of a Leader, My Feral Heart, The Survivalist,
Desperate to see
Your Name, The Wailing, Train to Busan.